casey
@casey@kafeneio.social  ·  activity timestamp 3 days ago
casey
@casey@kafeneio.social  ·  activity timestamp 3 days ago
Casey, a white woman with brown hair, wearing a black keffiyeh, talks to the camera. A clip from a video call between Casey and Eslam, a Palestinian mother wearing a black hijab appears. The camera shows Eslam’s 3 young sons. Everyone smiles & waves. An image of the 3 children looking at the camera, seated on the ground, surrounded by their open tent, sitting around a large pan of rice. An image of the 3 children crouched on the ground. Another image appears of a woman sitting on the rubble, what was once their home. Casey speaks to Eslam’s sister as she introduces her young son. They all wave and smile to each other. A screenshot of Eslam’s Gaza Verified webpage appears. Video call between the child and Casey. Casey’s black cat jumps onto the back of her chair, making one of the children point and exclaim. An image of a woman in a hijab crouched and tending to a fire with a large pot on top of it. An image of the three children each holding an apple. Two images appear, one stating “Before” of one of the children looking healthy. The second image states “After”, and displays the same child, now with a rash on his face. Image of the children outside, one isholding a very large, empty cooking pot. Casey makes air quotes when she says “ceasefire” and “peace plan”. An image of buildings turned to rubble. Another image of one of the young boys lying on a bed, looking exhausted with a bandage wrapped around his left knee and foot. A GoFundMe QR code appears at the end of the video.
casey
@casey@kafeneio.social  ·  activity timestamp 3 days ago
Casey, a white woman with brown hair, wearing a black keffiyeh, talks to the camera. A clip from a video call between Casey and Eslam, a Palestinian mother wearing a black hijab appears. The camera shows Eslam’s 3 young sons. Everyone smiles & waves. An image of the 3 children looking at the camera, seated on the ground, surrounded by their open tent, sitting around a large pan of rice. An image of the 3 children crouched on the ground. Another image appears of a woman sitting on the rubble, what was once their home. Casey speaks to Eslam’s sister as she introduces her young son. They all wave and smile to each other. A screenshot of Eslam’s Gaza Verified webpage appears. Video call between the child and Casey. Casey’s black cat jumps onto the back of her chair, making one of the children point and exclaim. An image of a woman in a hijab crouched and tending to a fire with a large pot on top of it. An image of the three children each holding an apple. Two images appear, one stating “Before” of one of the children looking healthy. The second image states “After”, and displays the same child, now with a rash on his face. Image of the children outside, one isholding a very large, empty cooking pot. Casey makes air quotes when she says “ceasefire” and “peace plan”. An image of buildings turned to rubble. Another image of one of the young boys lying on a bed, looking exhausted with a bandage wrapped around his left knee and foot. A GoFundMe QR code appears at the end of the video.
casey
@casey@kafeneio.social  ·  activity timestamp 3 days ago
casey
@casey@kafeneio.social  ·  activity timestamp 5 days ago
Casey, a white woman with dark brown hair wearing a black hoodie, speaks to the camera. Images of Rewaa and Mohammed, a Palestinian couple, and their two children appear on the screen. When speaking about Rewaa’s education, photos of blueprints and designs that Rewaa and drawn by hand appear. When speaking about her project before the genocide, images appear of beautiful, ornate bouquets appear. Many have white flowers, such as lilies, with glistening jewels and pearls. And image appears of her two going boys sitting on the floor of their tent at night, playing and drawing.
casey
@casey@kafeneio.social  ·  activity timestamp 5 days ago
Casey, a white woman with dark brown hair wearing a black hoodie, speaks to the camera. Images of Rewaa and Mohammed, a Palestinian couple, and their two children appear on the screen. When speaking about Rewaa’s education, photos of blueprints and designs that Rewaa and drawn by hand appear. When speaking about her project before the genocide, images appear of beautiful, ornate bouquets appear. Many have white flowers, such as lilies, with glistening jewels and pearls. And image appears of her two going boys sitting on the floor of their tent at night, playing and drawing.
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