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Ukraine War Bulletins and News
@SocraticEthics@mastodon.online  ·  activity timestamp 16 hours ago
A 28-year-old Steve Jobs gives a talk at the 1983 International Design Conference in Aspen
Ukraine War Bulletins and News
@SocraticEthics@mastodon.online  ·  activity timestamp 16 hours ago
A 28-year-old Steve Jobs gives a talk at the 1983 International Design Conference in Aspen
Zhi Zhu 🕸️
@ZhiZhu@newsie.social  ·  activity timestamp 2 days ago
Zhi Zhu 🕸️
@ZhiZhu@newsie.social  ·  activity timestamp 2 days ago
Screen shot of a social media post (Bluesky) by Bellingcat with text and composite photo. Text: Footage taken moments before a struggle shows that the man was filming, holding a phone in his right hand, backing up. His left hand is up, visible, palm facing out, as he backs away from the area. An agent uses his right hand, on the torso of the victim, pushing him back, while the man complies. Photo: two photos showing the murdered man being pushed and shoved by ICE thugs. Source: https://bsky.app/profile/bellingcat.com/post/3md6vloqxbk2t
Screen shot of a social media post (Bluesky) by Bellingcat with text and composite photo. Text: Footage taken moments before a struggle shows that the man was filming, holding a phone in his right hand, backing up. His left hand is up, visible, palm facing out, as he backs away from the area. An agent uses his right hand, on the torso of the victim, pushing him back, while the man complies. Photo: two photos showing the murdered man being pushed and shoved by ICE thugs. Source: https://bsky.app/profile/bellingcat.com/post/3md6vloqxbk2t
Screen shot of a social media post (Bluesky) by Bellingcat with text and composite photo. Text: Footage taken moments before a struggle shows that the man was filming, holding a phone in his right hand, backing up. His left hand is up, visible, palm facing out, as he backs away from the area. An agent uses his right hand, on the torso of the victim, pushing him back, while the man complies. Photo: two photos showing the murdered man being pushed and shoved by ICE thugs. Source: https://bsky.app/profile/bellingcat.com/post/3md6vloqxbk2t
Victor
@victor@typo.social  ·  activity timestamp 6 days ago
A color, medium-angle photograph in portrait orientation that captures the expansive United Nations Security Council chamber in Manhattan. At the center of the room, a large, horseshoe-shaped wooden table is surrounded by blue upholstered chairs for council members, with additional rows of blue chairs behind them for advisors. In the foreground, tiers of bright red theater-style seats face the central floor, designated for public observers and the press. The floor is covered in a light carpeting, and the ceiling features a recessed, circular lighting design with numerous small spotlights that cast a warm, even glow over the entire assembly. Dominating the far wall is a massive, colorful mural by Norwegian artist Per Krohg. The artwork is divided into panels, featuring a central phoenix rising from ashes, symbolizing the world's reconstruction after World War II. Surrounding scenes depict people of various backgrounds engaged in labor, arts, and community, rendered in a social-realist style with earthy tones and vibrant accents. The mural is framed by light-colored marble walls on either side, which contrast with the dark, vertically-ribbed curtains draped at the far right of the chamber.
A color, medium-angle photograph in portrait orientation that captures the expansive United Nations Security Council chamber in Manhattan. At the center of the room, a large, horseshoe-shaped wooden table is surrounded by blue upholstered chairs for council members, with additional rows of blue chairs behind them for advisors. In the foreground, tiers of bright red theater-style seats face the central floor, designated for public observers and the press. The floor is covered in a light carpeting, and the ceiling features a recessed, circular lighting design with numerous small spotlights that cast a warm, even glow over the entire assembly. Dominating the far wall is a massive, colorful mural by Norwegian artist Per Krohg. The artwork is divided into panels, featuring a central phoenix rising from ashes, symbolizing the world's reconstruction after World War II. Surrounding scenes depict people of various backgrounds engaged in labor, arts, and community, rendered in a social-realist style with earthy tones and vibrant accents. The mural is framed by light-colored marble walls on either side, which contrast with the dark, vertically-ribbed curtains draped at the far right of the chamber.
A color, medium-angle photograph in portrait orientation that captures the expansive United Nations Security Council chamber in Manhattan. At the center of the room, a large, horseshoe-shaped wooden table is surrounded by blue upholstered chairs for council members, with additional rows of blue chairs behind them for advisors. In the foreground, tiers of bright red theater-style seats face the central floor, designated for public observers and the press. The floor is covered in a light carpeting, and the ceiling features a recessed, circular lighting design with numerous small spotlights that cast a warm, even glow over the entire assembly. Dominating the far wall is a massive, colorful mural by Norwegian artist Per Krohg. The artwork is divided into panels, featuring a central phoenix rising from ashes, symbolizing the world's reconstruction after World War II. Surrounding scenes depict people of various backgrounds engaged in labor, arts, and community, rendered in a social-realist style with earthy tones and vibrant accents. The mural is framed by light-colored marble walls on either side, which contrast with the dark, vertically-ribbed curtains draped at the far right of the chamber.
Victor
@victor@typo.social  ·  activity timestamp 6 days ago
A color, medium-angle photograph in portrait orientation that captures the expansive United Nations Security Council chamber in Manhattan. At the center of the room, a large, horseshoe-shaped wooden table is surrounded by blue upholstered chairs for council members, with additional rows of blue chairs behind them for advisors. In the foreground, tiers of bright red theater-style seats face the central floor, designated for public observers and the press. The floor is covered in a light carpeting, and the ceiling features a recessed, circular lighting design with numerous small spotlights that cast a warm, even glow over the entire assembly. Dominating the far wall is a massive, colorful mural by Norwegian artist Per Krohg. The artwork is divided into panels, featuring a central phoenix rising from ashes, symbolizing the world's reconstruction after World War II. Surrounding scenes depict people of various backgrounds engaged in labor, arts, and community, rendered in a social-realist style with earthy tones and vibrant accents. The mural is framed by light-colored marble walls on either side, which contrast with the dark, vertically-ribbed curtains draped at the far right of the chamber.
A color, medium-angle photograph in portrait orientation that captures the expansive United Nations Security Council chamber in Manhattan. At the center of the room, a large, horseshoe-shaped wooden table is surrounded by blue upholstered chairs for council members, with additional rows of blue chairs behind them for advisors. In the foreground, tiers of bright red theater-style seats face the central floor, designated for public observers and the press. The floor is covered in a light carpeting, and the ceiling features a recessed, circular lighting design with numerous small spotlights that cast a warm, even glow over the entire assembly. Dominating the far wall is a massive, colorful mural by Norwegian artist Per Krohg. The artwork is divided into panels, featuring a central phoenix rising from ashes, symbolizing the world's reconstruction after World War II. Surrounding scenes depict people of various backgrounds engaged in labor, arts, and community, rendered in a social-realist style with earthy tones and vibrant accents. The mural is framed by light-colored marble walls on either side, which contrast with the dark, vertically-ribbed curtains draped at the far right of the chamber.
A color, medium-angle photograph in portrait orientation that captures the expansive United Nations Security Council chamber in Manhattan. At the center of the room, a large, horseshoe-shaped wooden table is surrounded by blue upholstered chairs for council members, with additional rows of blue chairs behind them for advisors. In the foreground, tiers of bright red theater-style seats face the central floor, designated for public observers and the press. The floor is covered in a light carpeting, and the ceiling features a recessed, circular lighting design with numerous small spotlights that cast a warm, even glow over the entire assembly. Dominating the far wall is a massive, colorful mural by Norwegian artist Per Krohg. The artwork is divided into panels, featuring a central phoenix rising from ashes, symbolizing the world's reconstruction after World War II. Surrounding scenes depict people of various backgrounds engaged in labor, arts, and community, rendered in a social-realist style with earthy tones and vibrant accents. The mural is framed by light-colored marble walls on either side, which contrast with the dark, vertically-ribbed curtains draped at the far right of the chamber.
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